Jyotish Bandyopadhyay

Bengali and Hindi director born in Bihar. He started as a typist at Madan Theatres; and later became the studio’s main film-maker in the silent era. Part of a film-making team with Priyanath Ganguly, Jyotish Mukherjee, Amar Choudhury, B.J. Rajhans, Abdur Rehman Kabuli (later star of Indra Sabha, 1932) and cameramen Jyotish Sarkar and T. Marconi. Initially worked with Eugenio De Liguoro (Dhruva Charitra, Nala Damayanti, both 1921; Ramayana, 1922) and C. Legrand (Vishnu Avatar, 1921). Early films mainly adapted stage...