
Teresa evokes a memory. A memory as a place of resistance. A memory suspended in space and time. A place one can return to. The fragmented image of an intimate record. The impression of moments forgotten in time but ready to emerge from oblivion—moments that allow us to build a possible history: the history we want to see. – Tânia Dinis
6.6
6.0
7.4
5.9
6.9
7.2
5.9
6.3
6.7
6.5
7.0
7.1
6.1
6.4
5.9
7.6
6.7
6.4