"Andy Warhol's 1966 'sequel' to his Blow Job begins with a long static shot of Gregory Battcock looking bored; small movements of his head reframe the elegant tight close-up to make sun and shadow symmetrical on his face, or unbalance them again, while street noises expand the shot's implied space. Halfway through this 70-minute film, the camera pans down to reveal the back of another man's head. Zooms and more pans follow, yet each blocky, high-contrast composition has an assertive power characteristic of Warhol." - Fred Camper
7.8
6.5
8.4
8.2
5.9
6.3
6.3
6.1
6.2
6.0
8.3
6.5
8.0
6.5
6.2
6.4
7.2
7.0