
In 1850 the Italian dancer Maria Baderna arrives at Brazil, her fame and the scandals she provokes turns her name in a common expression. The film uses passages supposed to be about her to criticize modern Brazil, the dictatorship period and also a homage to filmmakers like Rogério Sganzerla.
6.1
6.4
6.8
7.3
8.3
6.1
6.1
5.8
6.8
6.3
6.8
6.3
6.7
7.6
6.7
5.9
6.8
6.5