
A priestess in “Serafisk Sang”, virginal in “Pastorale”, botanic in “Sommertanz” and finally a witch in “Hexentanz”, Mary Wigman is a woman-flower, goddess and a prophetess in turn. Her jerky, sombre and introspective movements proudly claim the expression of the free body. We are at the end of the roaring twenties and Mary Wigman provoked a real revolution in the world of dance.
7.3
6.2
8.4
6.8
8.0
6.6
7.4
8.4
6.2
6.5
7.2
7.4
7.0
7.5
6.4
6.9
7.3
8.0