
Manô, an obscure and anonymous character from popular comedies of the 1920s, escapes the destruction of an old movie studio, materializing into the real world from a celluloid film. Manô tries to adapt and survive in present-day Lisbon, for which he is unprepared. Mariana, an unemployed photographer, meets Manô and tries to help him discover the reason for his return, despite Marco, a psychologist with little sense of humor, disliking this clumsy black-and-white character.
6.9
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7.2
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5.8
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6.1
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6.9
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6.4
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7.0
7.1
5.9
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5.8