
An evocation of work and the frantic activity of factories through the contrast provide by images of desolation, ruin, and abandonment. Among these, the human figure, represented by a completely motionless Marcello Miranda, appears as a triviality incapable of combating the relentless devastation of time and progress.
7.5
6.4
6.9
6.9
8.0
7.0
8.1
7.3
5.9
6.0
6.2
6.3
7.0
6.0
6.4
6.5
6.6
7.8